Tag: lensta

02/06/2016, Salerno, Italy 🇮🇹 In yesterday’s story I talked about the exhibition in Avellino. Today I show you what the prints looked like when they were all together: a 19,35 m2 (13,02 x 1,485 m) collection of drawings made in Italy in the period 2011-2016. Among those drawings I can clearly see my evolution: the first shy doodles when I took off from Cordoba airport on 14 July 2011, crying like a baby for having achieved what I considered a miracle ([Story 41 , Story 42]). The drawings of 2012 show another Lucas, more confident and thirsty for knowledge, with gestures capturing more and more details of reality. In 2013 and 2014 I was already making very wide and pronounced perspectives (which ended up leading me to spherical perspectives), with strong contrasts and a more established technique. 2015 and 2016 were years with explorations that began to combine physical reality and my surreal dreams. This language led me to new mixed compositions that come out of reality and connect with a more dreamlike, whimsical world… But tell me dear reader… Would you have space to hang these drawings at home?What has been the miracle you have achieved in your life? Good evening 🪽✈️ NFT You can collect this post as NFT using Lens, check it out 👉🏻here 👈🏻

04/06/2016, Salerno, Italy 🇮🇹 2016 was the year I started doing public exhibitions with my drawings. One of these presentations was in Avellino, after the competition for urban sketchers that I have mentioned before here and here. The theme of the exhibition was the celebration of the 5 years since my first trip to Italy, and the trips I made within Italy once I moved in 2013. So, I proposed an exhibition with (almost) all my drawings from Italy between 2011 and 2016. However, I did not have all my sketchbooks from 2011 and 2012 because some of them were stolen during my stay in Paraguay. For that reason – and also to unify the sizes of all drawings – I made prints with which I covered the two main walls of the exhibition hall. But a problem arose when I saw the prints and compared them with the originals: the colours were totally different! This happened due to two things (mainly) 1 – the printer converted the colour palette, killing the original settings; and 2 – the scans follow the drawings as they were originally, but the watercolours lose saturation with time… However… after looking at the result a couple of more times… I think they weren’t that bad after all…. But tell me dear reader… Do you prefer the original or the copy?Should I scan my drawings, matching the original colours, or do I have to tune it as I like? Good evening 📠💬 NFT You can collect this post as NFT using Lens, check it out 👉🏻here 👈🏻

Ink and pencils 11/03/2016, Salerno, Italy 🇮🇹 Do you remember, dear reader, those days when I used to teach drawing in Italy? [link to 068]. Today’s drawing is another exercise I used to give. In this case, the focus was to think of everyday things as something different. With that aim, I used to invite students to use their own phone and to draw it several times, changing the point of view and making compositions as if they were buildings of a city. The game was to see something as familiar as their phone and see it as an ant would see it. By changing the point of view, students are likely to better understand the relationship between the external morphology of a building (e.g. when viewed from a taller building), and the quality of the interior space (i.e. when they enter and experience the building as human beings). I used to do these kind of explorations since I was very young: I remember making drawings of my parents’ house as if I were seeing it from a bird’s perspective, and then switching to a very low viewpoint, as a child would see the same house. But tell me dear reader… With what daily element would you like to create a city?How will you call a sunrise with a rising apple? Applerise? Good evening 🥰🫶🏻🍹 NFT You can collect this post as NFT using Lens, check it out 👉🏻here 👈🏻