Tag: Escher

Rudolph Deconstructed

Rudolph Deconstructed © Lufo Art, 2024 Name: Rudolph Deconstructed Dimensions: 300 x 300 mm Technique: Free composition painted with acrylics on canvas Year: 2024 The 3D Model of Rudolph Deconstructed After I finished the artwork, I did a photogrammetry to “scan” it in high-resolution. Here you can navigate the 3D Model from which I got the scan. Have fun! Rudolph Deconstructed (2024) by Lufo Art on Sketchfab The story behind “Rudolph Deconstructed” This artwork is actually one of the very first canvases that I painted with acrylics. Or, to be completely honest, the first one after so many years! The story goes that I used to paint with acrylics with my godmother, back in the 90’s when I used to spend my school holidays at her place. However, since I entered high school (a military aeronautical high school), I stopped painting and in many senses I stopped my artistic explorations. So, now that I’m closer to my 40’s than to my 20’s, I decided to try again the experience… And I must say, I am loving it.  Are you interested in buying this artwork? Do you have questions about it? Write me a message using the form below and I will get back to you as soon as possible. Please enable JavaScript in your browser to complete this form.Name *FirstLastEmail *Country *Name of the artwork *Are you interested in buying: * Original Copy (Digital Print) Personalised Copy (Original watercolour on top of a printed outline) Your message * Submit The Creative Process The creative process behind Elizabete Balčus’ drawing The creative process for Elizabete Balčus’ drawing started in October… Read More May 29, 2024 Digital Media Art Project: The Musicality of Drawing The concept “Musicality of Drawing” explores how to express music… Read More June 5, 2022 Digital Media Art Project: The Starting Point This is the first entry aim to document the evolution… Read More February 23, 2022 VR art based on handmade drawings and their innovation VR handmade drawings: enlarging the view I mentioned the VR art… Read More December 31, 2018 Check other artworks Rudolph Deconstructed Mitte Load More

Running all Day I

Running all Day I (194)

Today I’ll introduce you the session I of “Running all Day”, my new drawing. Keep reading to know how this artwork was born…. 26/06/2023, Berlin, Germany 🇩🇪 June, as the month of movement Some weeks ago I started a new drawing that, for several reasons, I couldn’t share until today. Among those reasons I can say that June was a convulsive month, with ups and downs after the hack I suffered in which I lose my web3 profile. Also due to this reason, I jumped some days on my daily posts that I’m still trying to get back on track. June was also the month in which new things came: the opening of my physical atelier/shop/gallery at the Berlin Workstadt, which was a big decision to take. Also, the travel I did for my birthday that nicely distracted me a bit. And finally, the fact that for different reasons the creative meetings started to get less frequents, and with that also my productivity. In any case, I didn’t give it a second thought to these reduction of my creative and sharing activities: I want to keep the idea of the daily posts and the creative meetings as a something really spontaneous that gives me pleasure, right as they were born. But let’s jump into the drawing. Running all Day (I) Running all Day was born from listening to the music of Nodarling. The guitarist and singer of the band, Quique del Bianco, also sells his drawings at the Mauerpark. His stand is in front of mine and every Sunday I have the pleasure to exchange a couple of ideas and nice words with him. In one of those conversations Quique mentioned Nodarling. The day after, I listened to their last album: Space Rider during my creative breakfast at the Unser Café. I was shocked by their music, an energetic psychedelic rock with all the power and strength of an exciting space trip. Quite an experience! I didn’t know what to do when I started the drawing… I just had in mind to do a three vanishing point drawing so to keep completing the collection with Escher-like effects that I started to explore with A Wizard Without a Shadow and How Many Perspectives Are There? (see a partial collection of these artworks here. However, I drop some lines, and the music did the rest, here is the result: But tell me dear reader… How do you like my new drawing?Have you heard Nodarling before? Good night 🛸🤘🏻

Artwork "Who Wants to Kiss" by Lufo Art

Who Wants to Kiss… full time-lapse video (192)

Do you remember my first post mentioning when I recorded the video of (Who Wants to Kiss)? Well, today I’m going to show you the result of the session 👀 09/06/2023, Berlin, Germany 🇩🇪 Who Wants to Kiss “Who wants to kiss… (searches for the mouth)” is an artwork with which I broke a couple of regular practices from my comfort zone. For example, I normally draw in a couple of sessions using pencil. Then, I draw on top of that outline with ink, this normally is a very quick stage. After that, sometimes I add more details and hatchings to give the drawing more depth and texture. Finally, I paint, generally in two sessions of watercolours: first giving the colour, and then the shadows. That is how I did for A Wizard Without a Shadow or Mitte. Instead, today’s artwork was a huge challenge because I did all of that process in one day. Actually, in just 6 hours. Questions Could I have done it in more hours? Yes. Was it stressful to do it in such a short time? Not at all! My point is the following: I do not do things because I feel that I must do them for someone else. Seen from that perspective, I didn’t have the obligation of finishing the drawing. I simply chose to do it. You might also ask my dear reader, how did you know that you were going to finish it in such a short time? I didn’t. I simply did what I felt in that time frame, the result was going to be good in either case because it was just an experimentation. It is also a nice exercise for your mind: one wants to add more details here and there, put some more textures to gain more depth. But I stopped myself and said: this is it. This is what we have got and that is how it should be. A nice collaboration Another practice I regularly do is to edit my own videos. However, this time that task was in hands of a lovely friend. She edited the video with mastery, synchronising the music with the evolvement of the drawing quite perfectly. Thanks Koromoto Music and Carolina Lares Jaffe! The video They say one image says more than thousand words, so I’ll stop writing and I’ll leave you with the video of Who Wants To Kiss. I hope you’ll enjoy it and don’t forget to like, comment and suscribe for supporting my work 🥰 But tell me dear reader… What do you think of Who Wants to Kiss?Do you often leave your comfort zone? Good evening 🎥🖼️

Mitte (III) Last session

Mitte III . Last session (173)

22/06/2023, Berlin, Germany 🇩🇪 Today I finished Mitte, another work of the Escher-like collection I’m doing, the 1st one using two vanishing points, and the 1st one dedicated to a Berlin neighbourhood. Here are the previous sessions: I confess that I am very satisfied with the result. As you can see, the work has changed radically with respect to the first colouring session. Now, instead of having a carnival of colours in the background, it has become more uniform and with fewer tones. I mean, the drawing is still very colourful but with many unified spots, which gives a clearer vision of the geometry. Today’s creative meeting was at the lovely Coffee Pony in Schöneberg. N., M. and I enjoyed a lovely afternoon, and got a wonderful table near the window (thanks guys!). Tomorrow I’ll try to scan the drawing although I probably won’t get to print it before the markets BECAUSE… … because there is a wonderful surprise for you all 👀…. What would it be, what would it be Lufo, tell us about it! Well, I can only say…. But tell me dear reader… What do you think of the new Mitte artwork?What do you think my surprise might be about? Good evening ☕️🥮 NFT You can collect this post as NFT using Lens, check it out 👉🏻 here 👈🏻

Mitte session II . Video (171)

20/06/2023, Berlin, Germany 🇩🇪 Yesterday I promised to upload the time lapse video of the 2nd session of #Mitte. So here I am, keeping my word. Today was a very calm but productive day. It started with a beautiful rain, the kind that rains like vertical waterfalls with big drops almost noiselessly. The morning had been very humid, so the rain plus a little wind helped a lot to make the atmosphere fresher. I took advantage of that atmosphere to write a few paragraphs for an article I am preparing, while sipping my morning coffee and watching the green of the park in front of me. When I left the house it stopped raining, and when I came out of the subway, half an hour later, the humidity had risen again to 50000% 🫠. I spent the afternoon at a place I’ll call G. for now (you may hear more often about this place soon 👀). Initially, I had hoped to finish Mitte today, but when I arrived at this place the table I planned to use was occupied. So I gave up on my initial plan, kept writing some more paragraphs and then edited the video… But tell me dear reader… Do you like the picture in this video better, with the drawing more stable?Or do you prefer the drawing to rotate more often, to make the video more dynamic? Good night 🐿️💧 NFT You can collect this post as NFT using Lens, check it out 👉🏻 here 👈🏻

Mitte session II 01

Mitte session II (170)

19/06/2023, Berlin, Germany 🇩🇪 After doing the structure of Mitte a couple of days ago, today I did the first watercolour session. You will say: wait a minute, where is the time lapse video? Well, I have the recordings but I’m too tired to edit it today. You may wonder why I feel this way… I can tell you that my morning started late (very late!) and then I had a totally unexpected meeting that could give a new future to Lufo Art. So, I could start painting just after that meeting, more exactly at 14:30. I spent lovely 5 hours in Weinerei Forum, near Rosenthaler Platz, a place I got to know thanks to T. a couple of months ago. During the whole session, I had the wonderful company of N.: we ate, drank coffee and talked about life. On my way home something super nice happened: I was in the U-bahn and I took my drawing out of the folder to look at the results again. Then, a random person spoke to me to say nice things about my art…. You can’t imagine how good does that feel! Tomorrow I will edit the video and I will share it with you all… But tell me dear reader… What do you think about the result?How was your Monday? Good evening 🚈🛸 NFT You can collect this post as NFT using Lens, check it out 👉🏻 here 👈🏻

Mitte – I (166)

15/06/2023, Berlin, Germany 🇩🇪 Whoever has followed my work during the last months and has some knowledge of perspective, will have noticed that I have gone through different systems of representation while playing with Escher-like effects. It all started when I tried to bring these paradoxes into a 360° drawing called Paradoxes. The attempt was put on hold due to an ambiguity that I noticed and tried to understand theoretically right after. Because of this problem, I went back to the starting point: parallel perspectives. I did some explorations using 30º/60º and 45º parallel perspectives: However, the problem I encountered lies in the use of conical perspectives. So, after familiarising myself with certain things about parallel perspectives I wanted to give them a try. In fact, in Impossible Things I used a conical perspective with one vanishing point. Today it was the turn of a conical perspective with two vanishing points. I chose this topic for today’s creative meeting in our beloved FREA Bakery… a wonderful meeting by the way! With the lovely company of Cintia, Nacho, Tineke, and a new member: Max, a very talented draughtsman from Italy. But tell me dear reader… What do you think of these explorations?Did you like the camera set-up? Good evening 🪜🪆 NFT You can collect this post as NFT using Lens, check it out 👉🏻 here 👈🏻