Lufo at the Berlin Artists Art Market BAAM 9
Lufo Art will be part of the Berlin Artists Art Market (BAAM) 9, which will take place between the 22nd and the 25th of May 2025. This art market is directed by José Contreras Aguad and Sofia Nordmann and this 9th edition will be held at Monopol Berlin (Provinzstraße 40-44, 13409 Berlin). A big joy Yay dear reader! After the amazing beginning of 2025 with the exhibition “Knospen und Beton” at Erster Erster and the sale of two watercolours, I have another chance to showcase my art at nothing less than the art market of Berlin BAAM 9. I have been following the steps of the BAAM since I arrived to Berlin in 2021. However, I only applied for the first time in 2023, and by that point they were already in their way to become a huge art market. And now, I’ve got finally selected to be part of their 9th edition! Honestly, I see this is a huge step for me as an artist: the call had 720 applications and only 250 artists got selected, they are going to showcase 3000 artworks and expect 6000 visitors. Great numbers, right? Well, this art market started in 2021 and since then they have only grow and grow. Indeed, they developed first BAAM (Berlin Affordable Art Market, back then) and since 2023 also HAAM (Hamburg Affordable Art Market). Recently, they migrated both to Berlin/Hamburg Artists Art Market, which I actually think that fits them better! The artworks that I will present at the Berlin Art Market BAAM 9 This new edition of BAAM comes with some beautiful surprises. For example, in the previous editions artists could present 4 artworks to be hanged in the wall, and up to 10 to be exhibited in a table. Nonetheless, this time every artist can present up to 10 artworks for the wall, and 10 more for the table. Amazing, isn’t it? So, here is list of some of the artworks that I will present: Sulle Corde di Aria Sulle Corde di Aria, acrylic on canvas, 120×90 cm © Lufo Art, 2024 Sulle Corde di Aria is the biggest painting I have ever done on canvas. Generally, the bigger the canvas, I tend to do more details. However, this time I limited the artwork to a simple expression and only one human figure. Furthermore, the canvas’ size still means a lot: the sensation experiencing the artwork in real life is far more intense than in a picture. Indeed, it feels like the whole painting is either sucking you down or pulling you up. But, what’s your sensation? Set Me Free Set Me Free, acrylic on canvas, 50×60 cm. © Lufo Art 2024 I painted this artwork with acrylic colours on a 50×60 cm canvas. In particular, I used a very singular palette of warm tones and high intensity, with cold shadows that generate contrast and detachment. The artwork presents you two paths: first, an infinite stair, from which we can’t escape (set me free!!!). The second, is a stair that will bring you up, but before that, it will dive you deep down to the burning black hole. Which path would you like to take? Be carefoul, the up/down stair is dematerialising, so you don’t have all your life to decide. A Shadow Without A Wizard A Shadow Without a Wizard, ink on canvas, 50×70 cm., © Lufo Art, 2024 The story goes that Amelie asked me for the Come to Grinch with Us exhibition a handmade copy of A Wizard Without a Shadow. The original Wizard is only a tiny 14.8×21 cm (DIN A5), but the copy had to be in 50×70 cm. However, I couldn’t image myself copying or even tracing the artwork. I just couldn’t do it. Instead, I just did another drawing, certainly similar, based, inspired on the Wizard. The result is quite an impactful ink on canvas drawing in black and white, with many details and dreamy scenes. A Wizard Without a Shadow A Wizard Without a Shadow, ink and watercolours, 14.8×21 cm. © Lufo Art, 2023 This is the original from which Amelie asked me the copy. The drawing was made between late March and mid-April 2023 in 4 sessions. Back then, I was starting to do creative breakfasts on Mondays, a full tradition nowadays 🤪. During those breakfasts, initial erratic shapes took form from my scribbles. Subsequent meetings brought poet Juliët and the great artist Tineke into the ritual, impressing their silent presence or animated conversation within the drawing’s texture. A time-lapse video shows the entire creative process. Rudolph Deconstructed Rudolph Deconstructed, acrylic on canvas, 30×30 cm © Lufo Art, 2024 This artwork is a playful exploration of the technique of acrylic paint on canvas. Basically, I threw together a few elements here and there and painted some paradoxical situations in between. Then, I experimented with the acrylic colours to see what kind of effect I could achieve. However, what do you think of it? Furthermore, if you would like to dive deeper on Rudolph Deconstructed check this page entirely dedicated to it. Upon what Upon What, acrylic on canvas, 30×30 cm © Lufo Art, 2024 Upon What is also an experimentation like Rudolph Deconstructed, but this time I choose to put less elements in game. Indeed, I focused the whole artwork in this infinite staircase, the paradoxical visual effects like M. C. Escher used to do. Io vivo quasi in ciel… (ma non ci arrivo mai) Io vivo quasi in ciel, oil on canvas, 30×30 cm © Lufo Art, 2024 This, my dear reader, is my very first oil painting! “Io vivo quasi in ciel… (ma non ci arrivo mai)” translates as “I live almost in heaven… (but I never get there)”. The first part is a passage of La Traviata by Giuseppe Verdi, which I was listening to during the creation of the artwork. Indeed, this inspired me to create a visual paradox of just a few elements: a game of perspectives to find where heaven is, because either if you go up or down, you’ll never reach anything…
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